The_Birth_of_Venus_detail_-_Hora

Birth of Venus

…Birth of Venus by Sandro Botticelli at Uffizi | Artworks | Uffizi Galleries

birth

Author

Sandro Botticelli (Firenze 1445 – 1510)

Date

1485 ca.

Museum

The Uffizi

Collection

Composition

Location

Room 10-14

Technique

Tempera on canvas

Size

172.5 x 278.5 cm

Inventory

Inv. 1890 no. 878

Recognized as the “Birth of Venus”, the story reveals the muse of love and beauty coming on land, on the key of Cyprus, born of the sea spray and gone there by the winds, Zephyr and, maybe, Aura.

The_Birth_of_Venus_detail_-_Hora (2)

The goddess is being on a giant edge shell, as pure including as excellent as a drop. She is met by a fashionable woman, who is seldom identified as one of the Thanksgiving or as the Hora of origin, and who holds out a coat covered in spikes.

Even the roses, packed in by the report are a reminder of springtime.

 

The work was probably sent by a member of the Medici family, although there is zero written about the landscape before 1550 when Giorgio Vasari explains it in that Medici’s Villa of Castello, dominated by the cadet branch of the Medici children because of the mid-15th hundred.

 

Unlike the “Allegory of Spring”, which is incorporated on the grove, the “Birth of Venus” was included on canvas, a guide that was widely used everywhere in the 15th century for excellent works designed for noble families

Although the two are not a pair, the picture is inevitably treated with Botticelli’s other really great whimsical painting, the Primavera, also in the Uffizi.

They are amongst the most remarkable aspects in the world, and icons of the Italian Renaissance; of the couple, the Birth is better known than the Primavera.

 Classical mythology

As depictions of topics from classical mythology on a very large scale, they were essentially original in Occidental art since ancient obsolescence, as did the breadth and impact of a nude female figure in the Family.

It used to be thought that they were both operated by the same part of the Medici line, but this is now uncertain.

They have been endlessly studied by art historians, with the foremost themes being: the emulation of ancient artists and the setting of marriage parties (generally agreed),

This common icon of the Western photograph was presumably composed around 1484 .

for the villa of Castello managed by Lorenzo di Pierfrancesco de ‘Medici.

Botticelli’s

Giorgio Vasari saw the business there in the mid-sixteenth time – along with Botticelli’s other public Primavera – and reported it accurately as “showing the Birth of Venus.”

However, rather than a birth, what we see is the muse landing on the border of her country.

the island of Cyprus, or on Kithara.

The paper, which can be trailed back to Homer and to Ovid’s.

Metamorphoses was also celebrated by the famous humanist Agnolo Poliziano in the epic verses of his Stanze.

The Venus of the Uffizi is of the “Venus ” type, whose best breast is covered by her right hand and billowing long blond hair partly shrouds her heart.

 

the shore by the flurry of Zephyrus, a talk god, who is keeping the nymph, Chloris.

On the power is the Hora of springtime, who tends to greet Venus aground with a cloak covered in pink blossoms

Botticelli takes his inspiration from classic statues for Venus’ simple pose.

as she spreads her baldness with long. which has reflections of light from the fact that it has been gilded;

even the Winds, the pair flying in one another’s embrace.

is based on an ancient work, a gem from the Hellenistic period, owned by Lorenzo the Magnificent.

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